Time and the Conways
by J. B. Priestley
Performed by Great Hall Theatre Company
Final Dress Rehearsal, Monday 3rd February 2013 in the Noverre Suite, The Assembly Rooms, Norwich.

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Directed by John Hare

The Conways, having a party to celebrate daughter Kay’s twenty-first birthday, seem to have it all, enjoying life and optimistic for the future after the Great War. For some time may be a friend, for others an enemy. J B Priestley gives us a glimpse of this family’s hopes, dreams and disappointments, but how certain is their future?

The following is Wikipedia’s take on the play.

Time and the Conways is a British play written by J. B. Priestley in 1937 illustrating J. W. Dunne’s Theory of Time through the experience of a moneyed Yorkshire family, the Conways, over a period of nineteen years from 1919 to 1937. Widely regarded as one of the best of Priestley’s so-called ‘Time Plays’, a series of pieces for theatre which played with different concepts of Time (the others including I Have Been Here BeforeDangerous Corner and An Inspector Calls) it continues to be revived in the UK regularly.

Time and the Conways is in three acts. The first act is set in the Conway house in 1919 on the night of the birthday of one of the daughters, Kay. Act Two moves to the same night in 1937 and is set in the same room in the house. Act Three then returns to 1919 seconds after the Act One left off.

In the first Act we meet the Conway family, Mrs Conway, her daughters Kay, Hazel, Madge and Carol and her sons Alan and Robin. Three other characters appear: Gerald, a solicitor; Joan, a young woman in love with Robin; and Ernest, a young, ambitious entrepreneur of a lower social class. Act One’s atmosphere is one of festivity as the family celebrates the end of the War and look forward to great future of fame, prosperity and fulfilled dreams. In a pensive moment when Kay is left alone on stage she seems to slip into a reverie and has a vision of the future…

Act Two plunges us into the shattered lives of the Conways exactly eighteen years later. Gathering in the same room where they were celebrating in Act One we see how their lives have failed in different ways. Robin has become a dissolute travelling salesman, estranged from his wife Joan, Madge has failed to realise her socialist dreams, Carol is dead, Hazel is married to the sadistic but wealthy Ernest. Kay has succeeded to a certain extent as an independent woman but has not realised her dreams of novel writing. Worst of all, Mrs Conway’s fortune has been squandered, the family home is to be sold and the children’s inheritance is gone. As the Act unfolds resentments and tensions explode and the Conways are split apart by misery and grief. Only Alan, the quietest of the family, seems to possess a quiet calm. In the final scene of the Act, Alan and Kay are left on stage and, as Kay expresses her misery Alan suggests to her that the secret of life is to understand its true reality – that the perception that Time is linear and that we have to grab and take what we can before we die is false. If we can see Time as eternally present, that at any given moment we are seeing only ‘a cross section of ourselves’, then we can transcend our suffering and find no need to hurt or conflict with other people.

Act Three returns us to 1919 and we see how the seeds of the downfall of the Conways were being sown even then. Ernest is snubbed by Hazel and Mrs Conway, Gerald’s budding love for Madge is destroyed by the snobbery of Mrs Conway in another moment of social arrogance, Alan is rejected by Joan who becomes betrothed to Robin. As the children gather at the end of the play for Mrs. Conway to foretell their future, Kay has a moment of memory of the vision of Act Two we have seen unfold. Disturbed, she steps out of the party and the play ends with Alan promising that he will be able to tell her something in the future which will help her.